“Emperor 2012” is a historical drama set after World War II, following General Douglas MacArthur’s investigation of Emperor Hirohito’s role in Japan’s war efforts.
MacArthur must navigate a complex political landscape to determine if the emperor should be held accountable for war crimes or granted leniency as a symbol of Japanese tradition and culture.
The film provides insight into post-war Japan, the struggles of reconciliation, and the role of power and authority in determining justice.
Ultimately, “Emperor 2012” is a thought-provoking film that challenges the audience to consider the complexities of post-war justice and the importance of cultural identity.

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Review
In these turbulent times, where the world is beset with chaos and confusion, one movie stands out as a beacon of hope and inspiration. “Emperor” is a cinematic masterpiece that captures the essence of our times and tells a tale that is both compelling and heart-warming.
Set in the aftermath of World War II, “Emperor” tells the story of General Douglas MacArthur (played by Tommy Lee Jones) as he arrives in Japan to oversee the country’s transition to democracy. Accompanying him is General Bonner Fellers (played by Matthew Fox), a brilliant strategist who has been tasked with the daunting mission of investigating whether Emperor Hirohito should be tried for war crimes.
The movie starts off with a bang, as we are thrust into the midst of Japan’s surrender and MacArthur’s arrival. The setting is wonderfully atmospheric, with smoke-filled streets and bombed-out buildings creating a sense of melancholy and despair. As MacArthur surveys the destruction around him, he realizes that his task will not be an easy one.
But he is not alone. Fellers, his trusted aide, is at his side every step of the way. Together, they navigate their way through the treacherous waters of post-war Japan, meeting resistance at every turn. But they are determined to succeed, no matter what it takes.
One of the most impressive things about “Emperor” is its attention to detail. The sets are meticulously designed to recreate the atmosphere of post-war Japan, with every detail carefully crafted to look authentic. The costumes too are spot-on, with each actor dressed to perfection in period-appropriate clothing.
But it’s not just about style over substance – “Emperor” also packs an emotional punch that will leave you reeling long after you’ve left the theater. There are moments of tenderness and poignancy scattered throughout the movie that will tug at your heartstrings and leave you feeling deeply moved.
And then there are the performances. Jones is, as always, a force to be reckoned with, bringing his trademark gravitas and intensity to the role of MacArthur. Fox, too, is outstanding as Fellers, imbuing his character with a quiet intensity that is both powerful and understated.
But it’s not just the leads who shine in “Emperor” – the supporting cast is equally impressive. From Masayoshi Haneda, who plays Hirohito with quiet grace and dignity, to Takataro Kataoka, who brings a sense of gravitas to his role as Prime Minister Suzuki, every actor in the movie delivers a performance that is nuanced and compelling.
Of course, it helps that the script itself is superb. Written by David Klass and Vera Blasi, “Emperor” is both smart and engaging – the dialogue crackles with wit and intelligence, while the plot moves at a breakneck pace that keeps you on the edge of your seat throughout.
But perhaps what sets “Emperor” apart from other movies of its kind is its willingness to grapple with difficult questions. Should Hirohito be tried for war crimes? Was he complicit in Japan’s atrocities during World War II? These are questions that have no easy answers – but “Emperor” isn’t afraid to tackle them head-on.
And yet despite all this seriousness and weightiness, “Emperor” never feels heavy-handed or preachy. Instead, it strikes just the right balance between drama and humor – there are moments of levity scattered throughout that will make you laugh out loud even as you’re wiping away tears.
In short: “Emperor” is nothing short of a triumph. It’s a movie that’s brimming with intelligence and heart; a movie that will make you think even as it moves you deeply. Don’t miss it – this is one cinematic experience that simply can’t be missed.
Technical Data

- Runtime : 105
- Release : 2012-09-14
- Genre : Drama, History, War
- Cast : Matthew Fox as General Bonner Fellers, Tommy Lee Jones as General Douglas MacArthur, Eriko Hatsune as Aya Shimada, Masayoshi Haneda as Takahashi, Kaori Momoi as Mitsuko Kajima
- Crew : Grant Major as Production Design, Ngila Dickson as Costume Design, Jane Jenkins as Casting, Stuart Dryburgh as Director of Photography, Gary Foster as Producer
- Popularity 11.163
- Budget : 0
- Revenue : $14,858,240
- Company : Fellers Film, Krasnoff / Foster Entertainment, United Performers’ Studio
- Summary : As the Japanese surrender at the end of WWII, Gen. Fellers is tasked with deciding if Emperor Hirohito will be hanged as a war criminal. Influencing his ruling is his quest to find Aya, an exchange student he met years earlier in the U.S.
- Tagline : After the war was won, the battle for peace began.